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Cake day: July 1st, 2023

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  • Ulysses is a rough one. There are some novels that are so dense that you have to have already read it through once before you can really read it for the first time. I think Ulysses might take three or four.

    I started reading it after hearing Robert Anton Wilson talk at length about why he loved the book. He made it sound amazing. And having read it, and read about it, I get why the people who love it really love it. It’s a meticulously crafted, ultra dense, heavily embroidered, masterwork of English literature. You can spend years and years reading and re-reading the book, picking apart layer after layer, and still find new elements to explore, and new threads to pull, which still all end up being perfectly internally consistent. It’s really an amazing literary achievement.

    But it fucking sucks to read for the first time.

    You need like a companion reference book, the Internet, a French to English dictionary for one of the chapters, and a map of Dublin. It’s not entertainment; it’s a project. And honestly, I’ve found it a lot more interesting to listen to Ulysses experts explaining the book than it is to actually read the book itself.





  • Mostly_Gristle@lemmy.worldtoMemes@lemmy.mloctopus
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    2 months ago

    You do have the benefit of being right though.

    The word octopus is a classical Greek word that comes to English via Latin. The Greek plural is octopodes, the Latin plural is octopi. But we don’t speak Latin or classical Greek. We speak English. Because octopus is the English word for octopus it follows the English rules for pluralization, which is to add “s” or “es” to the end of the word. Cases can be made why octopi and octopodes could be technically correct, but for English speakers octopuses is the most correct.




  • Rom-coms are aspirational fantasies. They’re modern-day fairy tales of getting swept off your feet by a handsome prince and living happily ever after, never wanting for anything ever again. Material comfort is always a factor in these stories. If it’s not overt, as in Pride and Prejudice where the main character betters their station by ending up with the mega-rich guy who seemed like a dick but turned out to have a heart of gold, then it has to be implied by the setting and the lifestyles of the characters. If the material wealth of the love interest isn’t going to be a factor in the story then it has to be demonstrated that those financial needs are met in some other way.

    You’re probably never going to see a rom-com where the main character gets their one true love, but being with them condemns them to a life of struggle and poverty. No matter how you try to spin it so it’s ok because at least they have each other, that would never be a truly satisfying ending in this type of movie. Material needs to be taken care of too. Even in movies like Overboard where the whole point of the movie is Goldie Hawn learning to be a human being by struggling through a working class lifestyle, they still have to end up rich at the end for the story to feel fully resolved.

    It’s polite to pretend that money doesn’t matter, and a lot of rom-coms try to down-play it, but it does. It does matter. And it always shows up in one way or another.