That’s such a stupid take. The 90s and early 2000s were literally the golden age of feature movies. IMDB has 58 movies rated 8.5 or higher, 24 of those were released in the 15 years between 1990 and 2004. That’s about 41.4% and includes classics like Shawshank, Forrest Gump, Pulp Fiction and of course the LotR trilogy.
Must suck not allowing yourself to enjoy anything from the past, and only allowing yourself to watch the slop they make today. There’s so many great old shows and movies to pick from.
I was with you until you generalized contemporary movies. Great things were made back then and great things are made today. Same for shitty slop.
Right? Imagine not liking fucking Glenn Miller or like Sinatra or basically any jazz. Or ffs, Star Wars.
Yet another “look at me being all young and shit! Aren’t I cute?” meme. So much traction from these recently.
I wonder if there’s truth to the whole iPad generation thing.
It’s still hilarious to me that CGI peaked with pirates of the Caribbean.
Where’d sound mixing peak?
Shortly before the release of the iPod.
I meant in film. Being able to hear what the fuck people are saying.
Definitely after THX was created and established standards for sound quality. Prior to that, most theaters had a single, tinny, mono speaker delivering all the idea. THX made multichannel audio + subwoofer the norm.
So sometime between then and the release of the DVD, which introduced multi-channel audio for the masses. Before then, most people had VHS players, which only supported up to 4 channel matrixed audio though a stereo RCA output. But stereo and surround on VHS was a later development, with early VHS tapes being stereo only.
That said, stereo on VHS was a later thing, so if we’re going to pinpoint the peak of audio mixing, I’m going to say it was the late 90s, when movies were mixed for stereo on VHS. Of course I’m only talking about the quality of the mix, and not other aspects of sound quality, which VHS is obviously inferior to digital in that aspect. Unkess we’re talking about VHS Hi-Fi, which is a whole other debate I won’t get into here for brevity’s sake (cause this comment is already way too long as-is).
Regardless, you can still have a good movie-watching experience in the home, but you’re going to have to invest some money. While I’d recommend a minimum 5.1.4 Dolby Atmos setup for the best possible mix, you can get away with as little as a 3.0 setup. You’ll miss out on finer details in the mix, but the important part is having a dedicated center channel speaker so that you can independently adjust its volume and actually understand what people are saying.
Any decent home theater receiver or sound bar will also have a “dialog booster” adjustment, and/or an audio compression function to boost quiet scenes and make loud scenes quieter. It’s usually called “night mode”, “volume leveler”, or something like that. (Sometimes there’s multiple settings).
I live in a tiny apartment and usually watch on headphones. I don’t find sound to be a huge part to movies, I just hate needing subtitles in my first language to understand what people are saying. I will not spend extra money for hardware to view something (ripped from) a fucking 720p-capped Netflix stream because the people who make them don’t want to make a good product.
Well if you’re wearing headphones then the solution is simple. Install Equalizer APO and then a dialog booster VST plug in (there are many, don’t make me do the googling). Alternatively you could just boost the frequencies you struggle to hear the most to solve the issue.
There’s a significant amount of detail lost in using gates and expanders in film. Drives me up the fucking wall that we still use hardware and software that’s not very good. I’d much rather hear some noise than transients and tail air. I stg.
So I should fo the mixing for every film?
I cannot believe these people want me to pay for media.
Boston’s debut album.
my lord that’s depressing lol.
When people think something from 2014 is “old” i laugh in their face as I crank up my 1899 Edison victrola.
Even as a kid I never viewed something old unless it was 60+ years in the past.
At least LOTR has not been rebooted every 5-10 years like some Marvel/DC movies.
Even if there’s probably someone itching to make a gritty reboot of LOTR.
also MCU , adding the multiversal arc to the whole franchise,dont need that.
LotR has been done a few times. The Peter Jackson one is just so good that no one wants to be compared to it though. I’d argue that even Peter Jackson’s The Hobbit felt so bad because the LotR trilogy was so good. (It was also just bad, but the comparison made it feel even worse.)
I mean, look at the source material. One’s an epic saga the other’s a monthly brochure at the magazine corner shop.
I guess, it fits.Lol im definitely calling them monthly brochures from now on
Well, we had the Prequel Trilogy so I guess Peter Jackson probably needs to do an entirely unneeded Fourth Age Trilogy or something?
Prequel even harder and pry the Silmarillion rights from the cold, dead bodies of the Tolkien Estate, then run it into the ground with new films, or worse, a TV show.
Better yet, don’t pry the right, so you have to come up with entirely new stories and new characters outside of what you already own the rights to! It’ll be great!
Is this a Rings of Power joke? I haven’t watched it, so I really don’t know.
Judging by a couple of blog posts I’ve seen on it, it fucking sucks, especially if you actually care about Tolkien’s Middle Earth setting. Also has a lot of battles that usually make no fucking sense.
Yeah, I was interested before it released, but everything I heard about it after made me not bother.
I watched the first season and it made me lose IQ points. Do you like a show with lots of references to things that you know while it acts like there’s some suspense over what this new magical metal they discovered is, the identity of this wizard that’s hanging around with some hobbits, etc? That’s Rings of Power.
It’s the most boring origins story of everything from the movies while they seem to expect people to have their minds blown by the reveals like “OMG! that’s mithril! Wow! that’s Gandalf!” They were too busy trying to make very obvious things out to be big reveals it got in the way of there being interesting characters or a good story. The place where a lot of story takes place becomes a volcano land in single a day just so they can make a big reveal that it’s Mordor… it’s that ridiculous.
I feel like movies haven’t changed much at all since around mid 90s. Like as long as current day fashion doesn’t appear in the movie, then i don’t see how a person would even be able to tell if a movie came out today vs. twenty years ago.
Like the other comment says, the CGI doesn’t hold up that well. Luckily, the LotR trilogy doesn’t rely on it that much. I still hope they have the original unedited footage stored somewhere and we get a new version with modern CGI capabilities. That’d be amazing to see. It holds up mostly fine though, so it isn’t a huge issue.
Found George Lucas.
Lol. Hopefully not that far. They should try to capture the intent of the original, just with much faster technology and better tools.
And then the better tools just scrape most of it, because it’s considered then-a-days as “boring” and “not catchy”. I recently ran some old songs through Suno. Sure, the tracks are catchy, but they scraped most of the buildup, intentionally overlapping sounds and noise and after listening to some originally different tracks, they kind of had the same beat and vibes in the newly generated tracks. Hope that gets better instead of worse.
Better tools, as in rendering technology and hardware, not as in like AI or something that would modify it. If they do it they need to keep the original format and only re-render the CGI components.
Cellphones changed shape.
90s movies did not have ‘MillenialSpeak’ / ‘Marvelisms’. They had cheesy one-liners. Which were better.
Club scenes are no longer filled with Goths, they’re filled with Jocks and Popular Girls.
Scores are generally much less unique and interesting these days.
More frantic pacing, contemplation is not allowed, outside of arthouse films.
I REALLY hate the new fight montages where they jumpcut every punch like in Matrix 4. They never let it settle enough for you to get your berings, feels like it’s just a rabid weasel with a gopro starapped to it.
Art is conveying what you intend to convey, through constraints, bound by limitations.
The cleverness, the beauty… is not in disregarding those limitations, those handicaps.
It is in accepting them, and finding a way to do the job anyway.
There’s actually quite a lot that’s changed in cinema since then. Since digital cameras and effects are incredibly common these days, we light everything very flatly so that it’s easier to change in post without reshoots. It makes lighting abysmally bad. (See wicked where the actress in vibrant green makeup looks a little grey the entire movie).
Pacing is also much faster, there’s more emphasis on not confusing audiences rather than letting things have mystery. Dialogue is more quippy rather than grounded.
Oh! And since there’s no more mid-budget movies, there’s a whole lot less comedies running around. Everything is either high budget, wall-to-wall action or grounded indie films with very little in-between.
Give us back mid-budget original films or Patrick H Willems will start kidnapping Hollywood execs one by one!
Im one bus away from Hollywood. I have some 6" zip ties and a chipped kitchen knife. LETS GO
i recently rewatched the first jurassic park and wow is it so incredibly different from new movies. i don’t dislike it though.
That’s actually quite an interesting topic. Some good things in the comments, too.
The pacing got much faster over time. Comparing LotR with a new MCU film, you clearly notice the shift. (Admittedly, LotR was a little slower than the average movie at the time)
I feel like if you’re comparing it to modern movies, the MCU isn’t really fare. Compare it to Dune maybe. I’d guess the new Dune is still paced faster with more action, but I’m not really sure. They’re probably not that dissimilar. Probably the biggest difference is Dune (part 2 in particular) has a constant building of tension, with no release until the end. LotR builds and releases tension in cycles.
Arguably Dune should be even slower than LotR, as almost all the action in the Dune books is at best mentioned, but it isn’t focused on. Meanwhile the new Dune movies, especially the second, added a ton of fighting that wasn’t in the books and doesn’t really fit the story of the books. The LotR books are slow, but it does give quite a bit of detail on fights and battles.
That’s not a valid comparison, lotr was waaaay slower and longer than movies of it’s time. You have to compare to a typical movie of the time, like for example even 5 years before lotr look at men in black from 1997
Easy: the effects got worse /hj
plus most of its catering to asia/specifically china at least for action shows, thats why Rock still get roles.
Effects have gotten better, but they’ve made everything else worse. Costume? Add it in post. Proper lighting? Add it in post. The entire set? Add it in post.
Add second screen syndrome and every new movie and TV show is perfect to have on in the background while you scroll through Facebook
Some have, some haven’t. I feel like physical explosions often work better for instance.
I don’t disagree. Practical effects are are almost always preferable to CGI, especially with things like explosions and fluid movement. I’m just saying that special effects themselves have largely improved, to the detriment of the medium as a whole
I think I get your point better now, CGI has improved and is now being used for everything because it’s “good enough” but this has lead to a reduction in quality because no one bothers to do anything properly any more?
Unironically.
Saving Private Ryan came out in 1998.
Matt Damon was born in 1970.
So he was 28. He is now about 27 years older, so about 55.
Dogma was a fun movie too, especially with alan rickman as metatron.
I know a highschooler that won’t watch anything from before 2000, won’t watch lotr for other reasons like broken attention span.
There have always been idiots.
I find myself dreading watching anything made after 2010.
I’m not saying everything is bad, or that everything that was earlier was good. But dang…it seems like a good 90% chance the modern movie or TV show is just a bunch of flashy and disruptive CG, incredibly fast editing to try to compete with cell phones for attention, tons of with clips and one-liners. Everything is poorly lit, the dialogue is inaudible, and all the other sound is way too loud.
And I don’t think it’s just “things were better back when I was a teenager” bias. I can still find older movies with those some annoying traits earlier, 2010 is just the arbitrary cutoff I’m using here. And I can look back at movies from before I was born, like Hitchcock movies, and see how much better they are at handling a lot of those things.
Everything is poorly lit, the dialogue is inaudible, and all the other sound is way too loud.
The thing you’re noticing is that they’re mastering movies for home theater setups and then everyone else gets a bad re-encode.
When you’re watching a non-HDR 1080p version with Stereo sound using streaming services’ low quality streaming codecs you’re missing a lot more than if you had a HDR1400 4k OLED and a 7.1 Atmos setup with a Blu-ray encode of the movie.
The problem is that now there is just such a large gap between ‘smartphone on a slow connection’ and ‘$80,000 home theater’ that it’s hard to make content that pushes the latter while still being viewable on the former.
Well I’m watching my own Blu-ray and dvd rips on my own Jellyfin server.
And it’s like that in theaters too- parts of things are way too dark, but also with HDR parts are way too blindingly bright. Which causes my pupils to constrict and males it even harder to see the dark parts. When I turn HDR off at home it’s better, but the dark parts are still too dark.
I think it’s an overall obsession with hyper-realism and spectacle. Make the bright lights seem as bright as possible. Make the loud parts seem as loud as possible. There are trillions of dollars fighting for your attention and movies want to do what they can to get a piece of that. So dynamic range, in all ways, is being pushed past the point of comfort, and even further past the point of realism.
A marathon of the extended editions is exactly what they need. Phone locked away during viewing.
The fact that we’ve gotten to the point where looking at little screen is bad so we need to lock it up to stare at big screen, is depressing.
And I love movies, but the thought of that as a society is depressing.
But, it’s all good FreeVee isn’t it?
It’s not about the screen, it’s about the content.
Every new technology has detractors saying it’s going to ruin the children. Books were bad, then radio, then TV, then phones. The medium isn’t the issue. There is an issue with the short form content that is predominantly watched on phones though, but it isn’t the fault of the phone.
No. No its the algorithms.
Short form content is probably not too terrible.
It’s the algorithms trying to sloppify us.
We’re not using the heroin for surgery or fun, we’re using it to chain workers so they ho through withdrawl if they try to run away.
Yes I am kind of joking. The problem is, we have seen over time, books aren’t evil or bad (sounds like religious nutjubbery to me there) however we have found how bad these devices are because they are constantly dinging and giving you dopamine highs. Tell me this; will a toddler be more likely addicted to a book, or a shiny flashy iPad (that can later be leveraged by corporations into an addiction to fortnight crates/loot box shit). So in that way, yes, the screens are bad. Now I use my phone often times for reading, but you know what 99% of the population is using it for ? Mindless 6 second tik tok brainrot. Its definitely not a good thing.
Yeah, like I said, it’s the content that’s bad. You could have a phone without any of these issues. Mine mostly doesn’t, because I don’t use any of these media services or social media, besides Lemmy if you count that.
Yes! Lock the phone! Such a pet peeve
I own exactly one Blu-ray set, and got my Xbox series X because it plays blu-rays.
For the extended edition directors cut of lotr. 12 hours of goodness.
Did this with my 16yo a couple months back. She was sick last week and marathoned them again on her own.
I was so proud
It’s honestly one of my favourite marathons to do on a cold winter weekend, excited for my annual viewing :)
Yeah, back in uni I used to do one with my friends at least once a year. We’d get about 10 people crammed into a room with a monitor, bring an unhealthy amount of snacks, plan to start at 9am, have tech issues till 11 or 12, and then watch until midnight or 1am with a break for pizza in the evening. It was great.
That does sound great, may be time for a sleepover viewing with the friends methinks, with some pipe weed
You should be!
That’s like saying “I refuse to drink wines older than 2000.” Just because it’s old doesn’t mean it’s good. But, some of the old ones are very, very good.
If it’s old and people still enjoy consuming it, it’s probably good. If it’s new and people consume it, it’s still unproven. The thing about “classics” isn’t that anything old is a classic. Anything that stands the test of time is. Old music wasn’t better we just stopped listening to the bad songs. Old books aren’t better, we just stopped reading the bad ones. Old movies aren’t better, we just stopped watching the bad ones.
I watched Altered States for the first time a few years ago and that one got me more than most modern sci fi. It’s a masterpiece imo.
iirc that movie is like a crazy abstract art film, it’s surprising that Hollywood was willing to make it
It totally is but it’s so engaging! I had trouble paying attention to things like Mad God, but Altered States drew me right in.
I finished rewatching all 6 movies yesterday and damn they are long. The last one is fuckin 4h long. But i still didnt have an attention span problem.
I know a woman in her thirties with that same rule. She won’t watch the first Matrix movie.
Everyone should watch the AFI 100.
All the movies are older than me :3
i thought they released new movies all the time
Me too, but apparently they stopped after 2003 :3
crazy
