It’s one thing that copyright/IP is such a matter of debate in the creative world, but a whole new layer is added onto that when people say that it only matters for a certain amount of time. You may have read all those articles a few months ago, the same ones telling us about how Mickey Mouse (technically Steamboat Willy) is now up for grabs 95 years after his creation.

There are those who say “as long as it’s popular it shouldn’t be pirated”, those who say “as long as the creator is around”, those who don’t apply a set frame, etc. I’ve even seen people say they wouldn’t dare redistribute paleolithic paintings because it was their spark on the world. What philosophy of statutes of limitation make the most sense to you when it comes to creative work?

    • very_well_lost@lemmy.worldEnglish
      0·
      2 months ago

      I feel like this could create some pretty toxic incentives.

      Like, imagine if the moment a person dies all of their works immediately go into the public domain… What’s to stop a company like Disney from just straight-up assassinating people who create promising IPs? They paid 4 billion dollars for Star Wars — but why not just have George Lucas murdered for a fraction of the price?

    • Erika3sis [she/her, xe/xem]@hexbear.netEnglish
      0·
      2 months ago

      Frankly, if you’re a small creator, copyright already doesn’t really exist for you in any meaningful sense: because copyright is enforced through the courts, you only really have rights over your work to the extent you can actually pay the court costs of continually defending your rights again and again and again — and if you have that kind of money to spare you aren’t exactly a starving artist.