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Joined 2 年前
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Cake day: 2023年6月2日

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  • It just gives the audience a clearer picture of the artist’s process. I’m not saying artists (and btw I’m an artist) need to disclose every piece of reference they use for everything, every time. However many artists do share their process, and the way in which reference is used can vary greatly. Many artists use reference to practically copy the subject, others just use reference to understand the subject and then create something completely different. Or in a completely different pose.

    As someone consuming art, I would appreciate knowing what type of mastery and skills the artist has- did they envision this in their minds? How much? What inspired them? Is this an accident or deliberate? Etc. This may be irrelevant to some people, but many at some point want to understand how the artist thinks and feels.

    Before AI it would have been obvious that if the subject is not realistic and not found elsewhere then it has to be the artist’s imagination, or an accident. Now an artist could be copying AI instead and you would never know.

    I find that artists that tend to copy their references with high fidelity (such as many wildlife painters or illustrators, or personal portraits) are also among those disclosing their references the most. This makes the audience appreciate the artists’ skills more. You can see the difference between the original and the result whereas you would otherwise have to guess.


  • Okay. Because I also remember signing this bat, I remember it was almost clear when I signed it and I asked what was going on and the bat signature collector said once the bat is full of signatures, they coat it with a layer of white paint and keep adding signatures to it.

    So now that you know the total surface of your bat’s signatures, in order to calculate how many layers of signatures you got, you have to divide this total surface by the surface of the bat, keeping in mind that there is a slight offset because each layer is just slightly larger in surface area than the previous one (very much like a tree’s rings).

    Apparently at its very core the bat is just a thin rod, the shape you see is all made of layers and layers of signatures. It was absolutely not that thick when I signed it. Glad to see they completed it, shame to see most people forgot they ever signed it.




  • iirc they had like half a metre between the flat door and the actual elevator door. You’d open the door to leave and immediately face the elevator door. Similarly you’d leave the elevator and find yourself right in front of the flat door. I could be wrong though, so take this with a pinch of salt. I haven’t been there myself.













  • I don’t have white balance controls that I can see, or a slider for shutter speed (even if it does have an option for bracketing there isn’t much I can control on it). ISO selection is also missing. Controls for other things seem to be there but the interface has less information, I have no idea of what values I have for anything. I do appreciate the option for flashlight on, that’s handy, and postprocessing seems less aggressive than my default camera.