You’ve heard of the “Bechdel-Wallace test” and its potential value to some people in measuring various media in a given context.
I propose a measure we’ll call the “Captain and Crew Test”…
I was enduring – yes, that’s the word I’ll choose – an episode of a certain Trek show and found myself thinking that I seem to enjoy Star Trek shows where the captain isn’t the center of attention for the continued story, rather the crew as a whole (including the captain as professionally and relatively required) works together on the story of the day or is portrayed in multiple dimensions without the commanding officer present.
So, here’s my attempt at codifying this “Captain and Crew Test”:
- The episode/show has to have at least two crew members (i.e. not the captain) essential to the story,
- who interact with each other without the captain,
- about the story without specific direction from the captain
I think these “rules” could use some adjustment and addition, but I think you get what I’m proposing/suggesting/inciting.
UPDATE 2024-07-04 04:35:34 UTC: Check out the quick and amazing work by @[email protected] to compile a subset of the percentage of lines for each character in a few Star Trek shows.
TOS is already a rough rewatch with some of its acting and portrayals of the future. I can’t imagine how tough it would be to rewatch it through that lens. Haha!
I don’t mean for this to measure quality. To each their own, as they say. After all, it is just entertainment and I’m free to watch anything else or skip this or that episode. This is all just a fun observation for me, much like a discussion on the finer points of warp theory or Federation economics.
Still, I’m glad it’s something that clicked for you too. I figured there would be a number of people whose appreciation of Trek relates to this “test”.